BANKERS

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BANKERS by Antonio Da Silva

A hidden camera portrays sexual interactions between bankers in a public restroom during their lunch break. No words, just signs, few body sounds, it is a choreography around the urinal. The film was shot over a period of one year in London financial district. Around lunchtime — 12:30 to 2:30 P.M. is the peak time for a wank with a banker.

*No actors were used in the making of BANKERS.

A film by Antonio Da Silva

With: Bankers

Camera, Editing and Sound Design: Antonio Da Silva
Year: 2012
Length: 11:42

Awards:
Best short film, Berlin Porn Film Festival, Germany.
Best Portuguese short film, Queer Lisboa, Portugal.

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5 Comments

  1. love the film, if I was there I would have been sucking on one cock and offering my ass for the other

    Reply

  2. On 2014-03-31 Ilan said

    i love your aesthetics! i feel its important these days to send ‘personal feedbacks’ other than the almost anonymous ‘like’. since technology seems to keeps us all behind screens and keyboards.
    it is regrettable how the cruising grounds (empty lots, back yards, public urinals) disappear
    and we loose the sense of touch, eye-contact, smell etc.

    Reply

  3. On 2014-03-03 Vincento said

    “Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so.”
    ~ Douglas Adams

    Reply

  4. On 2014-03-03 Andy said

    Love your work! bankers really does capture the erotic thrill of a bathroom cruise so well, and i like the unique montage of “getting dressed” scenes in mates that certainly remind me of the aftermath of many of my own encounters ;)
    Do you have any “cut” scenes from bankers or mates that didnt appear in the final films sitting around on vimeo? Id be happy to send you a few more euros to see those too ;)
    Keep up the good work!
    Andy

    Reply

  5. On 2014-03-03 Balthasar said

    This film is stunning. As usual, when Antonio da Silva only shows moves, cocks, asses and silhouettes, you still see characters everywhere. He manages to catch the beauty of the anonymous-but-personal, the individual desires amongst the repetition of common behaviour. Truly beautiful.

    Reply

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